It’s great to see Mark Seymour and fellow Hunters and Collectors’ band members continuing to stand up for the rights of asylum seekers everywhere.
The legendary Oz-rock band are touring with Bruce Springsteen and the E Street Band and delivered an impassioned and powerful set last Saturday night. Their classic song, Throw Your Arms Around Me, has been given a new verse, highlighting the need for empathy and justice for all people in need.
Here’s how Mr Seymour introduced it: “This song is about faith, hope and compassion. It’s about the stranger at the door. We are all asylum seekers.”
I haven’t found footage from last weekend but here’s a version from a Sydney concert. If the lyrics are a tad difficult to discern, try here.
The late folk singer Pete Seeger had this to say about his profession, back in 2009: “My job is to show folks there’s a lot of good music in this world and, if used right, it may help to save the planet.”
A lofty goal, perhaps, but it resonates with me. I’m conscious that by writing a speculative fiction novel, I get to make predictions about how things could turn out if we don’t make changes now. I have the power to ask and answer the great, “What if?” Maybe that’s my opportunity to play a small part in saving the planet.
8765 hours, give or take. That’s how long it’s been since my 2012 Wrap. A year isn’t long when you think of it that way.
But context matters. Imagine if you were an asylum seeker detained in an Australian detention centre. Each arduously dull hour would become a feat of survival, not that you’d savour the achievement. Indefinite detention would slowly decay your soul, second by horrible second. Time would be torturously slow.
In a hospital the opposite can occur. There are wards where time is languid but there are theatres, cubicles and trollies where it gushes uncontrollably and is gone all too fast. Minutes or seconds can make the difference between life and death, miracle and misery.
Yes, I’ve had an unusual year. There were slow hours, express ones and some that went missing. There were sleepless nights, minutes that felt like hours and moments to savour.
I started 2013 as an editor within an enormous entity, perhaps the megalomaniac bull cousin of Patricia Piccinini’s incredible Skywhale. I departed with the nerves of a father and provider and the relief of a teenager who had just finished their exams.
I finish 2013 as an author, speaker and tutor. I’m deep into a YA speculative fiction manuscript that may be the first book in a series and certainly looks to be the longest work in my career to date. At present, and I take nothing for granted, the story feels strong and my confidence is unusually resilient. The story gains colour and vigour every day. Several other projects are unfurling like green shoots in our vegetable garden.
I’m also about to take my family on an international adventure and research mission. We’ll swap three weeks of summer for a foreign winter but the trip will add flavour to the recipe I’m mixing in my manuscript. I can’t wait.
So, with a plane to catch in a matter of days, I need to tidy up. Thunder Road tradition requires that I end the year listing favourite moments from books, television, music and film for 2013. Here are some highlights:
Art (new category): Having developed a keen interest in street art appearing around my city, I helped one enigmatic artist by pasting their work around town. Maybe 2014 will see me paste some of my own ideas! I also greatly enjoyed exhibitions by Meredith Squires, Ghostpatrol and TwoOne.
Film: I recommend Gravity (especially in 3D), Rust and Bone and Zero Dark Thirty. Aussie western Mystery Road also deserves a mention for the atmosphere it invoked.
Music: Seeing Bruce Springsteen and the E-Street Band at Hanging Rock was one of the absolute high points of the year. Chet Faker has been on regular rotation in my car, along with Lana Del Ray and Johnny Cash. Watching Vika Bull play Etta James was excellent, too.
Reading: As per my previous post, I’m still immersed in George RR Martin’s Song of Fire and Ice series. I’m late to the party on Patrick Ness’ Chaos Walking series but the voice(s) and concepts in book 1 were brilliant. Fiona Wood’s Wildlife, Simmone Howell’s Girl Defective and Chris Ware’s Building Stories were great. The People Smuggler: The True Story of Ali Al Jenabi, made me gasp. Wonder by RJ Palacio, made me cry.
Television:Breaking Bad (no spoilers, please, I’m still going); Broadchurch; Gruen (various series); Game of Thrones.
That’s pushing it for my already addled memory. Thank you to everyone who has shared the peaks, troughs and rollers of 2013. May your festive season be fun-filled and your new year deliver on hopes and dreams.
NB: Vale to Nelson Mandela today and Valeria, some weeks back. R.I.P.
Two albums provided the soundtrack to my final years in secondary school. Prince’s Purple Rain was epic, eccentric ’80s pop. Bruce Springsteen’s Born in the USA was gritty rock’n’roll stories of blue collar struggles and broken dreams. Prince’s characters were all mascara, lavender and lace. Springsteen’s were denim and dust and could have stepped from a Steinbeck novel.
I played both albums so many times I knew every note. School finished. I became a labourer and university student. New friends and long car trips made for evolving musical tastes. Albums like The Triffid’s Born Sandy Devotional, Paul Kelly’s Gossip and U2’s Joshua Tree intersected with my life. Apart from a brief flirtation with Prince, when we partied like it was 1999, the Purple One rarely returned to my stereo.
Mr Springsteen released a handful of albums I didn’t connect with. Rather than waiting for new material I started delving backwards. Albums like Born to Run and Darkness on the Edge of Town were brilliant. The triple-cassette/CD (and 5 LP) compilation Live 1975-85 was the first box set I ever bought and showed me the showman as well as the storyteller, not to mention a band flexing some serious rock’n’roll biceps. That live set has been a regular companion ever since, ensuring Mr Springsteen’s work has chimed through the decades. The first track even provides the name for this blog.
Last Saturday I was part of a crowd of 17,000 people watching Bruce Springsteen and his legendary E-Street Band. The venue was Hanging Rock, about the closest thing I’ll ever have to a sacred site from my adolescence. Old school friends were dotted through the throng, along with great mates from recent years.
Only one other thing could have guaranteed time travel. Sure enough, there she was, grooving like no one was watching. Sighting the unmatched, unforgettable and unrequited crush of my late teen years felt surreal and somehow perfect.
Mr Springsteen and his 15-member band arrived on stage before sunset and launched into three hours of sublime musicianship. There was barely a breath between songs; even the break before the encore was fleeting. The storytelling was left to the lyrics and performances.
Perceptibly, the band were having fun in front of their biggest audience of the Wrecking Ball tour. Their smiles dominoed through the crowd. I saw years and burdens lifted from mates’ shoulders. We’d all named tracks we hoped to hear live; none of us missed out.
Best of all, the highlights came in unexpected places. Pardon the pun but the brass section blew us away, particularly on Johnny 99 and Pay Me My Money Down. Mr Tom Morello was every bit as awesome on guitar as in the clip on my previous post, making The Ghost of Tom Joad soar.
We walked away abuzz. On Easter Sunday morning I told a friend it was the best concert I’d ever seen. He’d been there at the rock too so he understood. He corrected me, “It’s the best concert you will ever see.”
I’ve trawled YouTube looking for a memory to do justice to our experience. There are great clips but nothing that matches what’s in my head. Instead I’m leaping into the DeLorean and travelling back to the celebrated song about writers’ block, Dancing in the Dark. Why? On this post, it feels right.
For the serious Bruce buffs, here’s the setlist from Hanging Rock, 30 March 2013:
2. Prove it all night
3. High hopes
4. We take care of our own
5. Wrecking ball
6. Death to my hometown
7. Hungry heart
8. Spirit in the night
9. The river
10. Tougher than the rest (duet with Jimmy Barnes)
11. Atlantic city
12. Johnny 99
13. Pay me my money down
14. Darlington County
15. Shackled & drawn
16. Waitin’ on a sunny day
17. The promised land
18. The rising
19. The ghost of Tom Joad
20. Thunder Road
21. If I should fall behind
22. Because the night
23. Born to run
24. Glory days
25. Dancing in the dark
26. Tenth Avenue freeze-out