In a previous post, I mentioned that a book takes on a life of its own once it is released. In part, this is because every reader brings their own world experience to the words they read and they respond accordingly.
Indeed, the first time a publisher read a manuscript of Game as Ned, I was encouraged by her response because she said she shed some tears at key moments in the book. I would have picked the same two moments – one sad, one happy – as most likely to make me choke up. That said, I’ve had other readers contact me to say they cried (or laughed or smiled) at entirely different moments. Truth be told, I’m chuffed to hear that the story is triggering any emotional responses as this suggests readers are identifying with the characters or events I tried to portray.
A book also takes on its own life in the commercial world. I’m gobsmacked (and grateful) that Game as Ned has been purchased for publication in Poland, for instance. If I’d had to hazard a guess as to potential international readers, I would have picked Ireland as first cab off the rank. GAN has also been turned into an audio book (more on that in another post), read by professional actors.
Critical acclaim is another aspect of a book’s life that is difficult to predict. I was rapt that GAN made the Children’s Book Council of Australia Older Readers Notable Books list for 2008 and amazed to be mentioned in such high-powered company. GAN was also long-listed for the Ned Kelly Awards 2008, as judged by the Crime Writers’ Association of Australia. As a first-time novelist, I’m flummoxed just to be on the same page as these wordsmiths.
GAN is also listed for upper secondary students as a Premier’s Reading Challenge book for 2008, which is also fantastic.