Regular travellers down Thunder Road will have noticed I’ve turned off and meandered along Michael Morpurgo Lane lately. (If there isn’t a mossy lane somewhere in the UK with this name, there should be.) I was just about to indicate and head back onto the highway when I had cause to flick through an old notebook while preparing for a media interview about Five Parts Dead.
And there, among my crypto-calligraphy, was a page of notes on the talk Mr Morpurgo did at the State Library in September 2007. After decoding, I can share some of what he had to say:
On targeting a specific age group when writing:
“What dictates the tone of the story is the story itself.”
On writing for children, not at children:
“If you are writing something for children because you think they could learn from it or that they would like it, you are probably patronising them.
“You don’t have the children in mind when you are writing , you have the story in mind.”
On protecting children from topics such as death and grief – don’t do it:
“Children have always had to deal with pain … At some stage they are going to have to deal with the loss of a grandparent.”
On character arcs:
“I like the idea of redemption … but not if I have to work too hard to get it in there.”
On where to find stories:
“I had a teacher who used to say, ‘Use your imagination, Michael’. What she should have said was, ‘Use your eyes and use your ears’, because that’s where your imagination begins.”
I particularly like that last quote because it’s essentially what I tell students when conducting writing workshops.
Mr Morpurgo also spoke of how he uses poems, songs, nursery rhymes and folk tales to flesh out and give structure to his books, stating that ancient tales still speak to us all as human beings:
“We survive, as long as our stories survive.”
Amen to that.